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24-Jan-2017 22:37

The company, then, moored in a history that intertwined both nations, not only contributed to a cultural programme of exchange.The Ballets Russes were a testament to Franco-Russian cooperation, goodwill and support; they represented ‘un nouveau resserrement de l’alliance’ (a further strengthening of the alliance).” However, the relationship made a negative turn when duplicity amongst the alliance arose.It wasn't until the rise of Peter the Great that Russian society opened up to the West. Petersburg was erected to embrace the West and compete against Moscow’s isolationism.Peter the Great created a new Russia which rivalled the society of the West with magnificent courts and palaces. Classical ballet entered the realm of Russia not as entertainment, but as a “standard of physical comportment to be emulated and internalized-an idealized way of behaving.” Empress Anna, (1730 – 1740) was devoted to ostentatious amusements (balls, fireworks, tableaux), and in the summer of 1734 ordered the appointment of Jean-Baptiste Landé as dancing-master in the military academy she had founded in 1731 for sons of the nobility.In the early 19th century, the theaters were opened up to anyone who could afford a ticket.A seating section called a rayok, or 'paradise gallery', consisted of simple wooden benches.Yet they also invoked metaphors of invasion, describing the company’s Parisian presence in terms of ‘assaut’ (onslaught) and ‘conquete’ (conquest).” The dual-faceted relationship can be seen in this expression of both enrapture and contention.

Questions arose about the Russian intention in the Paris theaters under the title “cultural politics” including “the delimitation of boundaries, the preservation of identity and the nature of relational engagements.” Russia was incapable of simply bringing Russian culture to the West, but created a paranoia of intentions wherever they went.The rant continued: 'Why is a young person who socialises with someone much older automatically a whore, and the older person a sugar daddy?Why travel when you can be dating single Russian women in USA?While Russia continued to borrow money from the French banks, “the Russians no longer interested in supporting French culture and colonial politics.” This duplicity gave fuel for the paranoia and lack of trust we see in the relationship concerning the arts.The Parisian press spoke of the Ballets Russes in terms of both “enchantement’, ‘bouleversement’ and ‘fantaisie’.

Questions arose about the Russian intention in the Paris theaters under the title “cultural politics” including “the delimitation of boundaries, the preservation of identity and the nature of relational engagements.” Russia was incapable of simply bringing Russian culture to the West, but created a paranoia of intentions wherever they went.The rant continued: 'Why is a young person who socialises with someone much older automatically a whore, and the older person a sugar daddy?Why travel when you can be dating single Russian women in USA?While Russia continued to borrow money from the French banks, “the Russians no longer interested in supporting French culture and colonial politics.” This duplicity gave fuel for the paranoia and lack of trust we see in the relationship concerning the arts.The Parisian press spoke of the Ballets Russes in terms of both “enchantement’, ‘bouleversement’ and ‘fantaisie’.'It is not 100 per cent proved that she had romantic relations with his man,' said the friend.